After defining a multidimensional sonic universe in their acclaimed self-titled debut album, composer/filmmaker Chris Hunt and Korn’s James “Munky” Shaffer abandon the familiar and drift towards a realm of recursivity on EXINFINITE. Here, they develop denser, more percussive, and abrasive sonic material, which has something more intimate—almost mystical—about it. Despite its apparent violence, the record evokes an introspective dive haunted by dissonance, saturation, and melancholy. The duo navigates between malfunctioning machines and tortured riffs, always on the edge of chaos. Surrounded by unique voices, VENERA enriches its emotional palette: FKA twigs pierces the album with a spectral vocal on “Caroline,” Chelsea Wolfe brings a gothic depth to “All Midnights,” while Dis Fig injects a fragile and vibrant tension on “End Uncovered.” Each guest seems to open a portal to a parallel dimension, between deviant lyricism and digital apocalypse, amplifying the contrasts dear to the project. On EXINFINITE, VENERA deconstructs formats, redefines structures, and questions the very nature of sound. The result: an album that is both opaque and visceral, striving for a form of dark ecstasy, where destruction becomes transformation.