The magnificent Orchestral Suites, known as Ouvertüren in German, constitute the final installment of the long-running "Bach Masterworks" series by the Dunedin Consort for Linn, a series described as "sensational" by Gramophone. The complex counterpoint and extraordinary technical demands provide an opportunity, throughout these four series of majestic French-style overtures and dances, to showcase the virtuosity of an ensemble of Dunedin's caliber. The first two suites are written for modest ensembles, but the lightness and simplicity of the touch conceal a complex musical language built on intimately intertwined parts. The third and fourth suites call for trumpets, timpani, oboes, and a full string section, which serves as a grand finale to Dunedin's unparalleled Bach series. The title of the last movement of the fourth suite offers a glimpse into the ambition of this recording: what better way to conclude the series than to fill listeners with immense "joy"?
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