Throughout the 1960s, Canadian composer Bruce Haack was as ubiquitous in children's shows and variety programs as the exotic animals at the San Diego Zoo. But he was not there to perform; he was there to demonstrate. In his formative compositions for theater and ballet, he had experimented with tape loops and concrete music techniques; by the early 60s, he was not only playing with electronic sounds but also creating the gadgets that generated them. During the day, Haack struggled to make a living as a composer for commercials and a series of educational and interactive children's records made with his collaborator Esther Nelson.
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