An unusual pairing of Brahms masterpieces, yet from the same period. The young Richter found his master in Mravinsky, as in the live recording featuring Tchaikovsky’s Concerto No. 1 (350069). Here again, this is not a challenge between two egos but a lesson in style and coherence. As for Symphony No. 3, the only one of Brahms’s four that is difficult to build, Mravinsky gives it a unique inevitability with a dream Philharmonic.
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