« Melodic and rhythmic efficiency, eighties brilliance, and contemporary melancholy: the duo reiterates the success of the trio at work for "Philadelphia" in the new genre of r'n'b/sound collage pop. And here comes a new album, splendid, from Nicholas Krgovich. There are few authors who make us jump to the ceiling again and again, while surprising us with their strange regularity, even their endurance. Expectations are high since Krgovich signs the album with Shabason already present on the touchstone of his discography, "Philadelphia," with Harris. We encourage you to dive back into this astonishing album, a zen garden made of sound collages, sound design, and soft atmospheres with Krgovich's so touching keyboards, who also almost became a haiku author, distantly contemplating both nature and his broken relationships (in the form of a hit, "I Don't See the Moon," or a delicate final impressionist painting, "Open Beauty"). Shabason and Krgovich deliver an ambitious album, as simple and easy to listen to as it is rich and deep. International class, once again. » POPNEWS .
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