With this second collaborative album, Eimear Reidy and Natalia Beylis explore the dialogue between cello and organ around the rare William Telford organ from 1846 of St George's church. The two long compositions blend tradition and experimentation, playing on resonances, drones, and the vast acoustic qualities of the place. A contemplative and immersive work, the album highlights the sound material of the instrument as much as the sensitive interaction between the musicians and the space.
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