Fernando Corona aka Murcof has established himself, since the release of Martes in 2002, as one of the founding fathers of contemporary electronic avant-garde. A true sonic architect, the Mexican artist disrupts the parameters of space-time in each of his works and cultivates a musical palette that is both organic and electric. The story of InFiné and Murcof began with the label’s very first release. In 2007, in charge of the post-production of Not For Piano, Murcof propelled the ivory notes of Francesco Tristano’s first album into the cosmos before following it with a European tour as a duo. Last summer, during the second edition of our summer workshops in Tercé near Poitiers, he covered the walls of the Normandoux quarry with unusual acoustic textures during a singular dialogue with pianist Vanessa Wagner and cellist Sasha Rozhdestvensky. It is therefore with great pride that InFiné welcomes under its roof a completely unprecedented version of the soundtrack to the film La Sangre Iluminada by director Ivàn Duenas. Minimalist, abstract, refined, the whole fascinates, and listener and viewer alike caress emotion in its absolute form.
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