Django is not just a genius gypsy jazz guitarist, difficult to classify. He is simply a true artist. He knew how to create a musical language of his own, taken up by generations of musicians. He is the inventor of a musical expression unique of its kind. In this cultural landscape of ours, alongside the long list of Ravel, Debussy, Fauret and Poulenc, we must by no means forget Django and his work. His music is nothing less than a minor art, but rather a new universal musical school. This music is an integral part of our heritage. It was on a starry night on July 9, 2002, before a full arena, during the Jazz à Vienne / France festival, that this music regained all its momentum, led by the zealous fingers of the masterful Biréli Lagrène, a true reincarnation of the master and in turn master of the place for one evening ... suddenly, a second life for this music was about to be born. This modest Generation Django released by Dreyfus / Music, celebrating the maestro's 100th birthday, aims to shed light on all the variations and passions that Django's work may have inspired in the generations that followed.
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