Denshi Ongaku No Bigaku: The Aesthetics Of Japanese Electronic Music Vol. 2
Description
From the first love at first listen felt upon hearing the iconic soundtrack to Ryuichi Sakamoto’s Merry Christmas Mr. Lawrence to the release of Inner Science’s Cosmo Tracks, via Laurent Garnier’s sets at An-fer, Dijon’s flagship club, which have always nourished and developed our taste for Eastern delights, the influence of Japanese music on our vision and our efforts has been essential in the development of our catalog, whether directly or indirectly. On this second volume, the focus is on the loudest side of Japanese sounds, deftly shifting the cursor from jazz to afro-house, via deep technoid tracks and more funky cuts.
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