In 1957, in Paris, American trumpeter Miles Davis recorded in one night the music for Louis Malle's first feature film: the album "Ascenseur pour l'échafaud" (Lift to the Scaffold). He thus profoundly changed the relationship between cinema and jazz music, which, until the 1940s and 1950s, was very little used on screen and, so to speak, inaudible. Through this soundtrack, Miles Davis forever associated jazz and film noir.
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