Le fil d'Ariane

Description

Tel Theseus unrolling the thread entrusted to Ariane to find his way in the labyrinth of the Minotaur, Marianne Piketty finds her way in the labyrinth of time by inventing the passage from the baroque to our present. To do this, she gives form and life to Ariane by intertwining the voices of Pietro Locatelli and Alex Nante. For the myth has inspired and still inspires. Locatelli, a violinist and composer as prodigious as Vivaldi, has set to music the abandonment of Ariane: Il Pianto d'Arianna expresses the pain of the freedom that separates and testifies, in a virtuosic manner, to the power of the imaginary. An audacious bearer of music, Marianne Piketty embodies this journey through time by reinventing, project after project, the appropriate form of the concert, whether live or recorded. That is why the musicians she gathers around her respond in the name of Concert Idéal, a dreamed project that this new album materializes.

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  1. Arianna : elegiaco
  2. Introduction théâtrale, opus 4 n°2 : i. allegro
  3. Introduction théâtrale, opus 4 n°2 : ii. andante
  4. Ariana : mesto
  5. Introduction théâtrale, opus 4 n°2 : iii.
  6. Concerto grosso en do mineur, opus 1 n°11 : i. largo
  7. Concerto grosso en do mineur, opus 1 n°11 : ii. allemande allegro
  8. Ariana : sotto voce
  9. Concerto grosso en do mineur, opus 1 n°11 : iii. sarabande laro
  10. Concerto grosso en do mineur, opus 1 n°11 : iv. gigue allegro
  11. Ariana : giga
  12. Concerto grosso en do mineur, opus 4 n°7 : i. allegro
  13. Concerto grosso en do mineur, opus 4 n°7 : ii. largo
  14. Concerto grosso en do mineur, opus 4 n°7 : iii. andante
  15. Ariana : specchio
  16. Concerto grosso en ré majeur, opus 4 n°7 : iv. allegro
  17. Ariana : paspié
  18. Ariana : lamento
  19. Sinfonia funebre. lamento
  20. Ariana : labirinto
  21. Il pianto d'Arianna : i. andante - allegro - largo
  22. Il pianto d'Arianna : ii. largo andante
  23. Il pianto d'Arianna : iii. grave - allegro - largo