It is in Venice that the golden age of Italian music takes place during the Baroque period, where the most daring composers and performers come together. Drawing from unpublished sources, Marianne Piketty and Le Concert Idéal bring to life the artistic flourishing that prevailed at the time, where genres, styles, and opposing influences meet and continuously intertwine. With the reconstruction of the concerto "per Chiaretta e Teresa," the unpublished diminutions of the Sinfonia "La Verità in Cimento" by Vivaldi, or of Lagrime mie by Barbara Strozzi, Impressions vénitiennes offers a portrait full of contrasts, fluid and fleeting, of the music of the Serenissima.
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