The seven songs of Tombeaux constitute the third full recording of the Brooklyn-based composer and multi-instrumentalist, and her first written and arranged for a large ensemble. Frustrated by the limits of self-production and solitary home recording, Sridharan set out to create something broader in sound, with sitar, vibraphone, woodwinds, horns, strings, and piano. Tombeaux is richly textured and deeply felt, weaving medieval and classical influences into a distinct art pop tapestry that will be greatly appreciated by fans of Laurie Anderson, Bel Canto, Anna von Hausswolf, and Julia Holter, who produced the record.
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