The debut album of singer-songwriter-producer Aurélie Mestres features immersive electro-pop in French and English, blending ambient and dream pop. The sounds combine Moog and Prophet synthesizers, granular synthesis with violin, piano, and re-amped field recordings, creating an organic, deep, and cinematic texture. Fans of James Blake, Björk, Kelly Lee Owens, or AIR (from the Alone in Kyoto period) will find resonance here: intimate vocals, emotional intensity, spaces, and silences. The project is also designed for the stage with spatialized sound for an immersive live experience. The visual universe is minimalist, ideal for Electro / Indie / Avant-pop bins.
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