With this third self-produced album - the conclusion of a frontal and committed trilogy, an announced turn toward new musical horizons -, the rapper uses a visibly incorruptible pen, and above all one that brings people together: on the scratches, DJ Pone (Birdy NamNam) delivers hallucinatory waltzes; on guitar, Serge Teyssot-Gay knocks you out, accompanied by Lazare, a promising performer already seen at the Avignon Festival; Lorenzo Bianchi, an aesthete from IRCAM, signs a pharaonic production; and to close the album, Sir Jean (Le Peuple de l'herbe) brings his ragga universe. So many striking encounters, a kind of fertile friendships born on the road - unpredictable and yet so crucial in La Canaille's career - ready to enrich the already rich catalog of an artisan as at ease in writing as in speech when, clearly, he speaks about themes close to his heart. It is therefore no surprise that the career of this unconditional fan of Léo Ferré was marked by decisive awards, as in 2006, when the Fair, the Prix Chorus Hauts-de-Seine and the discoveries of Printemps de Bourges all came his way in the same year.
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