Mozart: Piano Concertos K. 459 & 488

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If Concertos No. 19 and 23 are among the most famous in the corpus, it is of course due to their sublime central movements, but also because they reveal the peak of Mozartian subtlety in terms of orchestration, thematic development, and dramatic instinct. The historically informed interpretation offered here follows in the footsteps of the previous volumes, driven by a simply luminous musical discourse!

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