From the youthful Concerto No. 6 (1776) to the almost testamentary Concerto No. 25 (1786), Mozart's style evolved greatly. In ten years, the young prodigy gave way to a master fully aware of opening new horizons for the genre. With this fourth album, Kristian Bezuidenhout and the Freiburger Barockorchester continue their exploration of a body of work visited so many times before them; but with them, one has the feeling of rediscovering every note as if it were "the first time."
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