Music for Intersecting Planes marks the first collaboration between cellist Leila Bordreuil and organist Kali Malone. Minimalist in its execution yet grand in scope, the music unfolds like a string of pearls, punctuated by silences and deep breaths. Rippling currents of air emerge from the hand-pumped organ, enriched by the cello's subtle harmonics to create a microscopic and granular perspective of timbre. Interference swirls through the sound mass as Malone and Bordreuil play over a still background of sine waves. In the distance, church bells chime. Undulating feedback gives rise to insistent calls from the organ before yielding to a tragic cello motif. The album concludes with the brief, jubilant pizzicato exclamation of "Endless Dance of Eternal Joy." Recorded by candlelight at the Temple de Sainte-Théoduée in La Tour-de-Peilz, Switzerland, the music strikes a balance between patience and intensity, composition and chance, rigor and tenderness. This collaboration reveals new facets of both artists: Bordreuil's playing, with increased tonal and formal clarity, and Malone's organ work, in its most raw and textured form. Music for Intersecting Planes is a meeting of two minds that pays homage to the timeless fascination evoked by acoustic phenomena.
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