Wagner: Parsifal

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Jonas Kaufmann sings the title role in a new live recording of Wagner’s Parsifal, released by Sony Classical. It comes from performances at the Wiener Staatsoper under the direction of Philippe Jordan, with Elina Garanca as Kundry, Georg Zeppenfeld as Gurnemanz and Ludovic Tézier as Amfortas. The press reactions following the premiere in spring 2021 were unanimously positive. The critics repeatedly highlighted the richness of the nuances in the musical interpretation. In the role of the “innocent fool” Parsifal, Jonas Kaufmann is praised for his ability to move between an enchanting mezza voce and the most thrilling dramatic surges. Two singers perform their respective roles for the very first time: Elina Garanca in her highly anticipated debut as Kundry, to which she brings a real presence, and Ludovic Tézier for the first time as Amfortas. Highly anticipated, the production had to be presented - and recorded - without an audience when it was finally unveiled in April 2021, at the height of the coronavirus pandemic. Director Kirill Serebrennikov drew inspiration from the line “Here time becomes space” to set the work in a prison. Serebrennikov spent a number of years under house arrest as well as on parole and, at the time, he was forbidden to leave his country, so he had to direct his new production remotely, while a team of collaborators worked on the staging in Vienna. His conception of the work, which the Süddeutsche Zeitung called “an opera on the theme of liberation” and Der Standard described as “a multi-layered drama about human relationships,” proved convincing. Die Welt spoke of a “futuristic dystopia.” It is no surprise that Wagner’s final music drama continues to fascinate audiences to this day thanks to its Grail mysticism, Christian symbolism and underlying questions of guilt and atonement. Nor should one forget its densely woven narrative vein, its complex use of tonality and tonal colors, its psychoanalytic avant-gardism in relation to Wagner’s earlier works, its highly metaphorical and detailed symbolism and, last but not least, its length. All of these elements represent an enormous musical challenge for the orchestra and the soloists. Wagner’s Parsifal will be released by Sony Classical in a hardcover ecolbook CD format with 4 audio discs, a 284-page booklet with 3 introductory notes (including one by Philippe Jordan), synopsis, numerous photos and a booklet in 3 languages (DE, EN, FR), as well as in digital format.

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Disc 1

  1. Akt I: Vorspiel
  2. Akt I: He! Ho! Waldhüter ihr
  3. Akt I: Er naht, sie bringen ihn getragen
  4. Akt I: He, du da! Was liegst du dort wie ein wildes Tier?
  5. Akt I: Ja, wann oft lange sie uns fern blieb
  6. Akt I: Titurel, der fromme Held
  7. Akt I: Vor allem nun: Der Speer kehr uns zurück!
  8. Akt I: Weh! Weh! Hoho! Auf! Wer ist der Frevler?
  9. Akt I: Nun sag! Nichts weisst du

Disc 2

  1. Akt I: Vom Bade kehrt der König heim
  2. Akt I: Zum letzten Liebesmahle gerüstet Tag für Tag
  3. Akt I: Mein Sohn Amfortas, bist du am Amt?
  4. Akt I: Wehvolles Erbe, dem ich verfallen
  5. Akt I: Durch Mitleid wissend
  6. Akt I: Wein und Brot des letzten Mahles
  7. Akt I: Was stehst du noch da?

Disc 3

  1. Akt II: Vorspiel
  2. Akt II: Die Zeit ist da
  3. Akt II: Ach! Ach! Tiefe Nacht
  4. Akt II: Furchtbare Not!
  5. Akt II: Ho! Ihr Wächter, Ho! Ritter!
  6. Akt II: Hier war das Tosen! Hier, Hier!
  7. Akt II: Ihr schönen Kinder
  8. Akt II: Wie duftet ihr hold
  9. Akt II: Parsifal! Weile!
  10. Akt II: Ich sah das Kind an seiner Mutter Brust
  11. Akt II: Wehe! Wehe! Was tat ich?
  12. Akt II: Amfortas! Die Wunde!
  13. Akt II: Gelobter Held! Entflieh dem Wahn!
  14. Akt II: Den ich ersehnt
  15. Akt II: Vergeh, unseliges Weib!

Disc 4

  1. Akt III: Vorspiel
  2. Akt III: Von dorther kam das Stöhnen
  3. Akt III: Dienen, dienen!
  4. Akt III: Heil dir, mein Gast!
  5. Akt III: Heil mir, dass ich dich wiederfinde!
  6. Akt III: O Gnade! Höchstes Heil
  7. Akt III: Und ich, ich bin's
  8. Akt III: Werd' heute zu Amfortas ich geleitet?
  9. Akt III: Wie dünkt mich doch die Aue heut so schön!
  10. Akt III: Mittag: Die Stund ist da
  11. Akt III: Ja, wehe! Wehe! Weh über mich!
  12. Akt III: Enthüllet den Gral!