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When the Goldberg Variations reveal the accordion thanks to Fanny Vicens. Nowadays, it is rare for an unprecedented approach to renew our listening to a famous work. When this happens, it is almost always thanks to a step back: period instruments, temperaments of yesteryear, rediscovered musical treatises...
Fanny Vicens goes against the grain of these options. She has the audacity to propose the Goldberg Variations on an instrument more than a century later than the writing of the work. However, this is not an adaptation but a transfer, a transliteration that remains scrupulously faithful to the text. The musician is on a mirrored path: the work acts as a revealer of the instrument, and the nature of the instrument embraces the intention of the author who explicitly writes for a two-manual keyboard.

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