« The pianist Jean François Heisser plays the complete concertos of Beethoven with relevance and accuracy, conducting the Aquitaine chamber orchestra from the piano » The interpretation of the five Concertos proposed by Jean-François Heisser and his chamber orchestra allows us to appreciate the evolution of Beethoven's writing during the decisive ten years of their composition, straddling the 18th and 19th centuries. Indeed, the virtuoso improvising pianist of the first two Concertos conceived at the end of the 18th century in the wake of Mozart and Haydn asserts himself as a composer from the beginning of the 19th century with the third Concerto, culminating with the surprises and stylistic innovations of the last two.
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