"Acid Floresta" is the result of a process of recognition and sonic translation. This album was born from observing and listening to the everyday sounds that shape the sonic identity of the neighborhood: the corner store, the subway, the pool hall, the street corner. Spaces where music is not a choice but a constant pulse of life. The percussion of the street, the echo of a distant radio, the spontaneous phrasing of a conversation—all of this becomes raw material. From there, the process moves to the studio, where basses, synthesizers, drum machines, and samplers serve as tools of translation: what begins as a documentation of reality transforms into a musical interpretation. For years, tropical music and vallenato were part of a soundscape that coexisted with outside influences, generating both distance and affinity. But in this back-and-forth between the familiar and the unknown, a common thread revealed itself: sabor. Not as a genre, but as an essence, a vital and irreplaceable force. "Acid Floresta" is structured in three moments: the street, which offers raw sonic material; the intimacy of the studio, where these sounds are reinterpreted; and the stage of performance, where the music returns to the street, thus closing the cycle. It is in this final moment that its true nature emerges: in the shared vibration, in the ability to dance, in what connects beyond geography and context. The album proposes a dialogue between intimacy and collective experimentation, between Latin music and electronic music, between the raw and the processed. A space where the music of the streets and the music of the forest converge to create a new sonic memory.
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