For many baroque enthusiasts, everything begins in 1991. It is the year of Tous les matins du monde, a novel by Pascal Quignard that becomes a film by Alain Corneau with this superb soundtrack conducted by Jordi Savall. The Spanish musician brings the viola da gamba, the ancestor of the cello, out of oblivion and sets to music the story of Monsieur de Sainte-Colombe through several of his compositions as well as pieces by Marin Marais, Lully, and Couperin. For 17th-century French music, it is an essential reference. Excerpt from the Guide "La Discothèque idéale Fnac" 2016.
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