If you happen to run into Clément Palant and Xavier Soulabail at the Port du Légué, you’ll have no trouble imagining these two sonic pirates returning from a distant expedition, their boots still smoking from the ashes of BUCK, their former ship. Here they are, flamboyant, championing Broken Waltz, which takes us on a new journey, stormy and refined, colorful and surprising, rough and romantic. The sinister and oppressive boogie of Broken Waltz causes a cold fever, cold as the corpse of Joy Division. Today, the duo takes the detours explored by Nick Cave's Grinderman, Tom Waits' ramshackle music, The Cramps' rockabilly, or Suicide's synth-blues. One on drums and vocals, the other on bass, they use these elements, expertly mixed with solid references and clever sound manipulations, to deliver two albums back-to-back, filled with Anglo-Saxon storms that send their hair-raising winds all the way here. "A show of force overshadowed by the influence of The Cramps and Nick Cave..." --- ROCK & FOLK ---." HOARSE VOICES, CAVERNOUS AMBIANCES, RIFF DELUGES, RHYTHMIC EXPLOSIONS AND GRAVEYARD BALLADS. " --- ROCK & FOLK ---." Buck distills a raw and effective garage-blues." --- OUEST FRANCE ---." Dirty garage rock blues with the voice of a nail-eating bear. " --- Le Cri de l'Ormeau ---.
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