The most formidable of formats poses particular problems such as technical rigor and emotional frankness that Branford Marsalis decided to challenge by bringing his soprano, alto, and tenor saxophones to Grace Cathedral in San Francisco. The venue proved to be an ideal setting for a program ranging from the beginnings of jazz to Steve Lacy, including baroque music and contemporary classical music to spontaneous improvisation. "I went on stage with intentional gaps left in the program, where I could create improvisations based both on what I had just played and the feelings of the audience present."
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