Benjamin Biolay prefers grand flights of fancy to the realism of French song. And our man does not hold back, throughout this "Rose Kennedy," deliberately dreamlike and sometimes tragic or excessive. Intimate ballads with texts of stunning beauty (the trembling November all year round, which opens the grand work), sumptuous arrangements of symphonic orchestras (La Monotonie), rare and unusual soundscapes… Biolay, at twenty-eight, asserts, with this tribute to the Kennedy clan resembling a concept album, a style that belongs only to him.
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