Composed by Brazilian masters Tom Jobim and Billy Blanco and initially released in 1954, "Sinfonia do Rio de Janeiro" represents an early attempt to integrate jazz, classical music, and pop into a Latin soundscape. Sumptuous string arrangements unfold between delicate choral melodies and light, sensitive rhythms. It is an unprecedented form of hybrid music, predating the rise of bossa nova and still distant from the explosion of what would later be called Brazilian popular music.
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