Stylus Luxurians

Description

For this second installment of his anthology of 17th-century German harpsichord music, Yoann Moulin starts from the famous competition organized during the meeting of Weckmann and Froberger at the Dresden court. It is from these 1650s that the influences of the French style are grafted onto the models of Italian music. The compositions of this period appear to us in their infinite variety, illustrated here by the notion of Stylus luxurians.

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