Les trios à clavier

Description

This second recording of our anniversary season sheds light on a Belgian composer who is far too little known: Désiré Pâque. A precursor to Arnold Schönberg, his musical style is characterized by the use of an almost atonal polytonality, without confining itself to any one musical system. In terms of form, he is the inventor of a construction process he himself called "constant adjunction," which consists of a permanent thematic expansion, in other words the constant addition of new musical ideas that are not subject to development, transformation, or return. But what must above all be remembered about the music of Désiré Pâque is its passionate temperament, which is constantly expressed. He was first and foremost a romantic composer.

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  1. Trio pour violon, violoncelle et piano, op. 46 n° 1 (1903) : Molto moderato
  2. Trio pour violon, violoncelle et piano, op. 46 n° 1 (1903) : Allegro vivace
  3. Trio pour violon, violoncelle et piano, op. 46 n° 1 (1903) : Adagio
  4. Trio pour violon, violoncelle et piano, op. 46 n° 1 (1903) : Molto moderato
  5. Adagio sostenuto pour violon et piano, op. 39 (1899)
  6. Trio pour violon, violoncelle et piano, op. 98 n° 2 (1923) : Lentissimo
  7. Trio pour violon, violoncelle et piano, op. 98 n° 2 (1923) : Allegro
  8. Trio pour violon, violoncelle et piano, op. 98 n° 2 (1923) : Lento
  9. Lento cantabile pour violoncelle et piano, op. 89 (1917)
  10. Trio pour violon, violoncelle et piano, op. 115 n° 3 (1930) : Lento
  11. Trio pour violon, violoncelle et piano, op. 115 n° 3 (1930) : Adagio
  12. Trio pour violon, violoncelle et piano, op. 115 n° 3 (1930) : Allegro con fuoco