Happy, dramatic, intense, light, the trio with keyboard holds a special place within the catalog of Joseph Haydn. About forty years separate his "Trio in G minor, Op. 22" from Johann Nepomuk Hummel, a remarkable virtuoso whose melodic talent was admired by Mendelssohn. These works testify to the development, in continuity, of a form evolving parallel to the sonata. They also allow for a connection between two musicians who forged some links at the court of the Esterházy princes.
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