There are no shortage of gems [in this record NDLR]: this Prelude, Choral, and Fugue could come from an organ, the delightful encores taken from Hofmann, Albéniz, Rachmaninoff, sometimes repeating from one recital to another, signaling the breadth of a repertoire inherited from the golden age of ivory-touchers. But this Tarantella, these Corelli Variations, even the final part of Schumann's Fantasy, of which the other two sections of the triptych are missing, would be enough to warrant the discovery of this treasure chest. - Artamag’
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