Monteverdi: Vespro della Beata Vergine

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1611. After two years of study with Gabrieli in Venice, Heinrich Schütz tries his hand at composing madrigals on Italian poems. This simple final project proves to be a masterstroke: the young German composer managed to associate each nuance of the text with a different musical emotion, a refinement magnified here by the interpretation of Les Arts Florissants.

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