Urlicht: Songs of Death and Resurrection

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At the turn of the 19th and 20th centuries, the lied increasingly adorned itself with a symphonic setting. The boundary with opera becomes almost imperceptible. This is what Samuel Hasselhorn and Lukasz Borowicz offer us here, in a formidable program between smile and disenchantment, blending orchestral lieder and opera arias among the most characteristic of this Germanic "fin de siècle".

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