"La musique ne décrit jamais les choses. La musique ne fait qu'exister", said Leonard Bernstein. Perhaps this is why Schumann decided to remove from his Fantasie the initially planned evocative titles ("Ruins," "Arc de Triomphe," "Constellation"...): music has an autonomous existence without them. But is it not the same for the "Pictures at an Exhibition"? Mussorgsky creates here something more subtle and more ambiguous than the paintings of Hartmann could suggest. Besides the dazzling virtuosity they require, this unexpected pairing proposed by Paul Lewis reveals the purely musical qualities of these two masterpieces of the 19th century.
Buy Pictures at an exhibition at the best price
This page contains affiliate links. As an eBay Partner Network affiliate, Vinyles.com earn from qualifying purchases made through these links, at no extra cost to you.