Cantatas & Concertos

Description

The excellent Kammerochester Basel (see their Haydn Sinfonies under the direction of Giovanni Antonini and previous DHM albums) presents a new album of wonderful baroque music. It features relatively unknown composers from the famous music school of Bologna: you may know Giuseppe Torelli (1658 - 1709), known for his trumpet concertos. In contrast, Giacomo Antonio Perti (1661 - 1756), Giovanni Paolo Colonna (1637 - 1695), and Carlo Francesco Pollarolo (c. 1653 - 1723) are largely forgotten, although they were renowned composers in their time and produced significant collections of works.
The album contains four instrumental concerti grossi by Giuseppe Torelli, who was born in Venice but lived in Bologna from 1684 and studied with Perti. All these concertos are an excellent mix of energetic and relaxed movements. They are perfectly combined with pieces in which the Catalan baroque soprano Nuria Rial lets her amazing voice shine.
The vocal pieces are all connected by their content, the texts repeatedly using "aerial" imagery and metaphors. The aria "Pensieri vaganti" by Colonna tells the story of a tormented lover whose anxious thoughts find no peace. The magnificent "Cantata per San Tomaso d'Aquino" by Perti imagines angels descending from heaven to save men. The motet "Aurae sacrae amati ardores" by Carlo Francesco Pollarolo (c. 1653-1723), a meditation on the feeling of awe experienced in sacred places, is completely unknown.
A magnificent and colorful recording of instrumental and vocal music from Bologna, an important musical center of 17th century Italy!

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  1. Salomone Amante: Aria "Pensieri vaganti"
  2. Concerto Grosso in D Major, Op. 8 No. 12: I. Allegro, ma non presto
  3. Concerto Grosso in D Major, Op. 8 No. 12: II. Adagio
  4. Concerto Grosso in D Major, Op. 8 No. 12: III. Vivace - largo
  5. Concerto Grosso in D Major, Op. 8 No. 12: IV. Allegro, ma non presto
  6. Cantata per San Tomaso d'Aquino: I. Aria "Vieni pur con i tuoi vezzi"
  7. Cantata per San Tomaso d'Aquino: II. Recitativo "Ecco dall'alto polo"
  8. Cantata per San Tomaso d'Aquino: III. Aria "ogni spirto in ciel beato"
  9. Concerto grosso in C Major, Op. 8 No. 1: I. Vivace
  10. Concerto grosso in C Major, Op. 8 No. 1: II. Largo
  11. Concerto grosso in C Major, Op. 8 No. 1: III. Allegro, ma non presto - Adagio
  12. Concerto grosso in C Major, Op. 8 No. 1: IV. Allegro
  13. Concerto grosso in D Minor, Op. 8 No. 7: I. Allegro
  14. Concerto grosso in D Minor, Op. 8 No. 7: II. Adagio, e con affetto
  15. Concerto grosso in D Minor, Op. 8 No. 7: III. Allegro - Adagio
  16. Concerto grosso in D Minor, Op. 8 No. 7: IV. Allegro
  17. Mottetto: "Aurae sacrae amati ardores": I. Aria "Aurae sacrae amati ardores"
  18. Mottetto: "Aurae sacrae amati ardores": II. Recitativo "O clemens domine Deus"
  19. Mottetto: "Aurae sacrae amati ardores": III. Aria "Dulcis amor trine Deus"
  20. Mottetto: "Aurae sacrae amati ardores": IV. Aria "Alleluia"
  21. Concerto grosso in E Major, Op. 8 No. 3: I. Vivace
  22. Concerto grosso in E Major, Op. 8 No. 3: II. Largo
  23. Concerto grosso in E Major, Op. 8 No. 3: III. Allegro - Adagio
  24. Concerto grosso in E Major, Op. 8 No. 3: IV. Allegro