Published at the dawn of the Summer of Love in 1967, this collection marks the confirmation of a total musician, both a singer and a pianist, who takes on the greatest pages of American culture under the influence of the blues. By drawing from both popular entertainment (George Gershwin) and the commitment of Black people and their struggles for civil rights (Langston Hughes), Nina Simone is about to become an unassailable icon, a feminine and feminist embodiment of integrity and passion. Excerpt from the "La Discothèque idéale Fnac" Guide 2016.
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