Oeuvres modernes et contemporaines pour cor et piano

Description

This recording offers a journey through the 20th and 21st centuries around an instrument of thresholds, capable of both song and bite. The Sonata by Heiden, carried by a limpid form and a theme embracing the twelve tones, opens onto a concrete modernity. The Sonata in F by Fontanesi unfolds a Tema con variazioni where light and density gradually transform, up to a Rondò with bluish shadows. In Bacchus by D'Agostino, originally conceived for horn and wind orchestra and presented here in a version with piano, the ancient ritual blends with the Todi raga and culminates on a high C. The Sonata by Hindemith, tonal but not diatonic, seals the program in the tension between order and unease.

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