Pièces pour piano issues des 27 ordres pour clavecin

Description

Recording Baroque music on modern instruments is always a captivating challenge. It involves revealing the modernity of a 17th-century composer's writing through a selection of pieces from the 27 Ordres for harpsichord.Rhythmic, lively, yet with subtle harmony, Couperin's music, though little-known, is accessible to all and close to contemporary musical language.The second recording by pianist Natacha Kudritskaya for 1001 Notes explores the dreamlike universe of François Couperin through a piano interpretation of his works for harpsichord.The pianist takes on the challenge of combining stylistic fidelity with sonic freedom, making the Baroque language dialogue with the modern instrument.Pianist Natacha Kudritskaya displays a deeply profound playing style, attentive to breath, silence, and color. Her sensitive approach highlights the fragile, poetic inner world that runs through Couperin's Ordres.Trained between Ukraine and France, she belongs to a demanding tradition while asserting a personal voice. Natacha offers a journey and intimate narrative, where music becomes a space for reverie, freedom, and creation. She once again proposes to make a singular voice heard, with an intact modernity and sensitivity, performed on a modern piano.