Weber: Der Freischütz

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At the Sources of German Romantic Opera

Between black magic and popular culture, Weber created with this Freischütz a new aesthetic, destined to inspire the imagination of composers of an entire generation. Returning to the very sources of the initial project, René Jacobs offers us an absolutely unprecedented interpretation of the very first of the German romantic operas: the prologue originally intended by the poet finds its original place, giving, for example, the character of the Hermit significant symbolic and structural weight. An exciting rediscovery!

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