While the "Neue Deutsche Welle" (the new German wave) was disappearing from the scene, in Hamburg-Bergedorf, children gathered under the guidance of Felix Kubin to play in the NDW underground, leading to fascinating misunderstandings that spread among friends under band names like Die Egozentrischen 2. In central Hamburg, the Zimmermänner were already questioning whether it was possible to sing pop in German. The fact that the resulting "German pop music" always kept the quotation marks for the sake of decency sets it apart favorably from the dreadful German pop music that everyone feels obliged to make today.
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