Despite its "universal invasion," the violin is not, at the beginning of the 18th century, the most practiced instrument: this distinction goes to the recorder, simple, practical, and manageable, with pastoral connotations. Vivaldi is among those who take the complex identity of the instrument into account the most. His concertos for recorder are clear evidence of this, just like the very impressive versions of "hits" such as La pastorella, Il gardellino, and the essential Notte.
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