Doulcet: A Film by

Description

Whether a pianist behind the camera or a cinephile at the piano, Jean-Baptiste Doulcet invites listeners on a journey through the history of cinema through improvisation, an art form through which he built his entire musical education. From Bergman to Varda, Mizoguchi, Lynch, and Buster Keaton, the music becomes a re-enactment, an evocation, a second film in homage, with varying styles, forms, and atmospheres. Structured like a film library to be explored, the pianist loudly proclaims the vitality and permanence of cinema, inviting two contemporary filmmakers to share, through their voices, this unconditional love for the 7th art.

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Disc 1

  1. Le Cœur de la princesse (From "L’Impératrice Yang Kwei-Fei" by Kenji Mizoguchi)
  2. Schizophonia (From "Clean, Shaven" by Lodge Kerrigan)
  3. Mathieu Amalric lit "An Island…"
  4. An Island… (From "L’Île nue" by Kaneto Shindō)
  5. Fantômes suédois (From "Fanny et Alexandre" by Ingmar Bergman)
  6. Keaton, grimace ( From "Film" by Samuel Beckett and Alan Schneider)

Disc 2

  1. Marguerite Anamorphosis (From "Faust" by Alexandre Sokourov)
  2. Mathieu Amalric lit Opal Rush
  3. Opal Rush (From "Uncut Gems" by Safdie Brothers)
  4. Black Sunflowers (From "Le Bonheur" by Agnès Varda)
  5. Après la guerre (From "Quand passent les cigognes" by Mikhaïl Kalatozov)
  6. Bertrand Mandico lit Mon Inland Empire
  7. Dédales (From "Inland Empire" by David Lynch)
  8. Cannibal Fashion (From "The Neon Demon" by Nicolas Winding Refn)