"From the night to the light", "Thus fate knocks at the door": between supposed quotes and romantic interpretations, there is no shortage of comments that have accompanied "the Fifth". And what if we accepted the idea that in a context deeply marked by the French Revolution that Gossec embodies at the same time, it is Beethoven's music itself that was totally revolutionary, as François-Xavier Roth and his musicians of the Siècles like to remind us?
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