Passions Venezia 1600-1750
Description
Venice, at the borders of the profane and the sacredBetween a profane music inspired by transcendence and a theatrically embodied sacred music, Geoffroy Jourdain invites us to take part in the multiple expressions of human passions: around several Crucifixus (including those of Lotti extraordinarily dolorous), this new adventure of the Cris de Paris engages us to follow a bold Stations of the Cross at the heart of Venetian baroque music.Buy Passions Venezia 1600-1750 at the best price
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Hor ch'è tempo di dormire, mt, libro secondo, opus 13 (1638)
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Crucifixus a 4, sv259 (1640-41)
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Sinfonia, Orfeo (II, 1608=7), sv318
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Salve regina, antifone et sonate (1656)
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Adagio, lirbo 4, opus 10 (1673)
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In una siepe ombrosa, duetti, terzetti e madrigali, opus 1 (1705)
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Crucifixus a 10
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Entrata, libro ottavo, sv1671 (1638)
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Dialogo delle due Marie "quam amarum est Maria", opus 3, n°2 (1655)
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Crucifixus a 8
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Cantate domino (extr.), sv292 (1640-41)
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Adoramus te Christe, sv289, libro primo de motetti (1620)
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Crucifixus a 6
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Ritornello (extr.), sv256 (1640-41)
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Crucifixus a 16
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Exaudi medomine, symphoniae sacrae (1615)
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Sinfonia sesto tuono, opus 22 (1655)
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Balletoo secondo pretirata, opus 22 (1655)
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E questa vita un lampo, sv254 (poesia di A. Grillo[L. Celiano]) (1640-41)
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Balletto seconda pretirata
