Pelléas et Mélisande by Schönberg is often perceived as a work without a defined form, its narrative structure appearing obscure, concealing the explicit references to the tragedy on which Schönberg based his work. Jonathan Nott introduces a new segmentation that allows for better access for the listener to the relationship between the story and the music. By programming it alongside Debussy's opera, it enables us to compare the two works and see how the most important innovators at the turn of the 20th century interpreted this troubling and symbolic story.
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