Sonates pour piano n°15 "Pastorale", 16 & 21 "Waldstein"
Description
Jonathan Bliss in a Beethoven full of life and energy. In 1801, the way Beethoven approaches the development of his piano sonatas takes a dramatic turn. He tests the limits of the form with a series of slow variations instead of the Allegro in sonata op.26, a sequence of movements without pause in opus 27 no. 1, and a remarkable first movement in La Tempête, op.31 no. 2: unprecedented innovations. This third volume of the complete Sonatas by Jonathan Bliss contains two works from the period of experimentation and innovation, even if the Pastorale (op.28) and the often-overlooked opus 31 no. 1 are less bold. The third work in this program is the famous Waldstein, composed in 1803, full of life and energy.
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