« For me, playing the suites of Bach is always at one moment or another seeing the image of Giacometti's hands tirelessly shaping the earth until a face appears. Struggling with the suites of Bach is very close to that. It’s about digging into the string until the phrase is born, along with its proper breath. A phrase in perpetual becoming. That never stops being made and remade. I waited a long time to record them. And then one day, or rather one night, I started. And there was the meeting with Sarah Moon. When my desire to record the suites of Bach was born, I dreamed of her images. Because when I look at them, I imagine the creation of the world, the separation of the waters, the appearance of the land, before history begins. » - Sonia Wieder-Atherton
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