For Ferruccio Busoni, Bach's music is at the roots and foundation of piano playing. His numerous transcriptions testify to this viewpoint, while his monumental Fantasia Contrappuntistica attempts to provide a conclusion to the unfinished L’Art de la Fugue. Busoni faced many criticisms, to which he responded: "Music is both in time and out of time. [...] There is no old and new. There is only the known and the unknown." Today - after a century and many trends regarding the "authentic" way to play Bach - it may finally be time to rediscover the true voice of this great musician; for Busoni, "music is like a divine child, which does not touch the earth with its feet - it hovers." Jan Michiels takes us on this journey with a Bechstein instrument from 1860 and a brand new parallel string grand piano by Chris Maene.
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