The immense violinist delivers here an intimate album, 10 years after her last solo recordings devoted to Bach's Sonatas and Partitas.From the famous Passacaglia by Biber to the "amusements" of Guillemain and other sonatas or fantasies by Matteis (father and son), Pisendel and Vilsmayr, Isabelle Faust offers us a panorama of solo violin music from the final flames of the Baroque. Dreamy or virtuosic, these pages bear witness to the diversity of inspirations from Italy, France, England, or the Germanic lands - and their marvelous echo effects.
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