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Charles Bordes: of the musicians from Franck's group, he is the most unjustly unknown. Co-founder of the Schola with d'Indy and Guilmant, his premature death limited his catalog to a few works for orchestra, a handful of pieces for piano, and especially a collection of melodies of exceptional value. Together with Michel Daudin, creator and organizer of the "Charles Bordes Days," the choice was made to include the complete set of melodies written to poems by Verlaine, which ensures the cohesion of the program. To complement this, the few pages for piano, very sophisticated, very difficult, notably playing rhythms of zortzico, dear to the Basque Country. Bordes' melodies are very personal in terms of language, and while some evoke Duparc or Chausson, others anticipate Poulenc. For such an ambitious project, a cast of high caliber was needed. Two voices share the melodies, two "Timpani" singers, soprano Sophie Marin-Degor and baritone Jean-Sébastien Bou. For the piano, we aimed very high, as this marks the debut at Timpani of one of the French piano stars: François-René Duchâble, who is rare on record, and whose performance will be praised in a repertoire and discipline where he is not expected, but where he proves to be true to himself: the best!

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  1. Caprice à cinq temps
  2. Le son du cor
  3. Promenade matinale
  4. Paysage vert
  5. Epithalame
  6. Sur un vieil air
  7. La bonne chanson
  8. Fantaisie rythmique I
  9. Soleils couchants
  10. Chanson d'automne
  11. L'heure du berger
  12. Promenade sentimentale
  13. Fantaisie rythmique II
  14. Spleen
  15. Triste, ô triste était mon âme
  16. Colloque sentimental
  17. Fantaisie rythmique III
  18. O mes morts tristement nombreux
  19. La ronde des prisonniers
  20. Fantaisie rythmique IV
  21. Dansons la gigue